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Copycat Tyranny

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If you are American, there is no particular reason you would have heard of Zbigniew Ziobro. He was one of the authors of the attempt to transform Poland into an authoritarian regime. When this was halted by the Polish elections of 2023, he fled to Hungary.

At that time Hungary was ruled by Viktor Orbán, who was building what seemed like an unstoppable authoritarian order. Ziobro, wanted in Poland for serious crimes, was welcomed by Orbán. But then Orbán too lost a dramatic election, and had to hand over power on Saturday.

When democracy wins, the losers go to America, it seems.

What was left for Ziobro? The United States. You might not have heard of Ziobro, but Donald Trump has.

One of the sad things about Trump’s attempt to bury American democracy is its lack of originality. The models are foreign, including people you have heard of, like Putin, people you likely have heard of, like Orbán, but also minor figures such as Ziobro.

Ziobro is a wanted man with no passport. The Trump White House just went to a good deal of trouble to bring him to the US.

This teaches us, once again, how much the Trump project us an international one. Americans are punished every day, but foreign authoritarian friends are remembered.

What does that say about us as a country, right now?

I reflect on this and other questions in this little video, filmed here in Poland.

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Download audio: https://api.substack.com/feed/podcast/197373360/08ea94f8c2fe03a907eb287240df9b33.mp3
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cjheinz
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Lexington, KY; Naples, FL
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Doctorow on 'systems thinking' and fascism

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Earlier today community member MikeC posted an essay pondering whether the Democratic Party counts as "controlled opposition," as opposed to a truly oppositional party. It's worth discussion; for my part I think my answer might be "not yet, but it sure seems to be inching towards it?" Trying to tease out the mechanisms by which Democrats seem to be so consistently (sigh) failing the moment is at this point an omnipresent political discussion, and so far I haven't seen any one theory gain broad acceptance.

Focusing in on that same question today, Cory Doctorow also has a brief essay today about “systems thinking” and our fascist moment. What if the problem isn't the Democrats being insufficiently oppositional; what if, instead, Democratic leaders are compulsively focusing their opposition on the wrong part of the system?

In Thinking in Systems, [Donella Meadows] presents a hierarchy of leverage points for changing a system, ranked from least effective ("Constants, numbers, parameters") to most ("The power to shift paradigms to deal with new challenges"):

https://www.flickr.com/photos/doctorow/55264856861/

In all, Meadows theorizes 12 different "places to intervene in a system." The least effective of these – constants like taxes and standards, negative and positive feedback loops – are the sites of most of our political fights, and rightly so. They are the fine-tuning knobs of the system that adjust its margins. Once you have the rule of law ("the rules of the system"), you can drive change by amending, repealing or passing a law:

https://donellameadows.org/archives/leverage-points-places-to-intervene-in-a-system/

But when you're confronted with a system that is significantly, persistently dysfunctional, you will likely have to work at sites that are further up the hierarchy, such as "the distribution of power over the rules of the system" or "the goals of the system"; or the most profound of all, "the paradigm out of which the system — its goals, power structure, rules, its culture — arises."

So in this framework, fascism is operating at the highest levels of the system, altering the very premises of our politics; in response, Democratic opposition continues to fiddle with narrow, technical responses to individual problems as they arise rather than engaging with that broader, systemic manipulation.

Or, as metaphor: Democrats are attempting to repair the workings of an intricate machine while fascists are systemically changing the very functions of the machine. The fascists are trying to turn a textile factory into a weapons factory; the Democrats, fretting, think that if they optimize loom productivity the fascists will give up and leave.

I'm broadly sympathetic to most of the different theories for these, ahem, gelatinous responses by Democrats to the current autocratic attacks on our democracy itself, but the explanations I myself always come back to are these:

  1. There is an intentional conspiracy on the part of major media companies to boost oligarchic systems and discredit democratic ones.

I don’t mean anything particularly under-the-table about “conspiracy”; I mean that the executives and ownership of media companies are broadly pro-oligarch because they are the oligarchs, and they all hang out together and hire each other and nod at each other's bon mots. So there is a systems-wide pressure, which has come to a head with the Bari Weiss absurdities and which can be seen in stark-naked clarity in the terror-stricken media coverage of Zohran Mamdani, to inflate scandals on the democratic side (Biden senile!) while intentionally covering up far worse on the pro-oligarch side. (Epstein's accomplices; Trump’s rapidly deteriorating mental state.) Democrats do not have the same ability to control media narratives that Republicans do not because Democrats are inherently inept but because media companies are, quite intentionally, working to block those narratives.

You don't need to look any farther than The Washington Post's newly revamped op-ed pages to see how broadly this trend has advanced. At this point, it's advancing like a creature from a cheap horror movie.

  1. The corruption in the U.S. Congress has at this point rendered the body nonfunctional.

Not really a debate to be had on this one, either. Republicans have openly embraced administrative corruption. They think it’s great. They don't care if the Trumpites impound funds, steal funds, steal entire buildings, or anything else so long as they think they can stay on the winning side of it.

In addition to the near-infinite known scandals of the Trump 2 era, I expect we will eventually learn that similar financial grifts, near-open bribery, and other illegal acts are even more commonplace in the House and Senate than we think. This would be a corollary of Doctorow’s premise; Republicans are no longer playing the same game that their predecessors were. They don’t believe in democracy. They don’t want democracy. They don’t think crimes by their allies are bad, or that stopping crimes by their allies is good, or that bending U.S. policies so as to best please Jared Kushner's foreign financiers even rises to the level of mildly problematic. But their Democratic counterparts are still playing by the old rules, because Republicans insist that they must. Indeed, the slightest deviation from the old rules is treated as a scandal if Democrats attempt it, even as Republicans insist that they themselves can crime their way to power.

The Supreme Court has, similarly, become brazenly corrupt. It is a partisan court first, foremost, and always. It cannot seriously be argued otherwise, as much as Chief Justice John Roberts still halfheartedly attempts to try.

I needn't argue the point; Justice Sotomayor has done it skillfully in multiple dissents, including the dissent to the latest Court manipulations meant to ensure that Republicans can change election maps in multiple states while the voting is underway after the court's shocking and purely partisan dismantling of voting rights.

Because the media’s ownership class is allied with these Republican effort, this "corruption for me, fake scandal for thee" works. Republican corruption goes unchecked, and Republican corruption also manufactures flimsy or outright false claims of corruption from small-d democrats (See: Hunter Biden; organized “antifa”; attacks on higher education; “DEI” as racism against dull-minded white guys) that gain the sort of broad media traction that the sitting president’s longtime alliance with a child sex trafficker and alleged participation in that trafficking never has. It’s a corruption of the very idea of democratic rule; an authoritarian attack on shared reality meant to deprive voters of any semblance of informed democratic consent.

You can see it on the Supreme Court itself, as well. Sotomayor felt the need to apologize for making a mildly critical observation about Justice Kavanaugh; meanwhile, conservative justices openly call for the destruction of liberalism, lie about the known facts of cases they decide, and make comments from the bench that make it clear their brains have been boiled into soup from far-right conspiracy sites.

  1. Democratic House and Senate members are, by and large, increasingly decrepit relics of a long era of relative political stability in which there were shared values on both sides of the aisle.

It was until recently agreed on, if begrudgingly, that the president should not be openly corrupt. The notion that Congress had the ability to check the Executive—and a willingness to do so—was broadly understood. The idea that a president would rally a violent mob to attack lawmakers was so farfetched as to be, literally, inconceivable. The biggest issues of the day were always “energy policy” or “deficits” or squeezing more money for your state out of the latest infrastructure bill, dull political things performed by dull political routines.

Republicans have abandoned those frameworks, but the Democrats we elected to office have repeatedly fumbled the responses because they campaigned and entered office thinking they were being elected to do the dull political routines of the Clinton-Bush-Obama eras. That's what they signed up for. That's the era that formed their political beliefs, the one that informed their strategies and honed their one-liners for.

They did not run for office thinking they would be assassination targets after an opposition party’s president gave a speech seemingly endorsing it. They didn’t run for office thinking they were going to be surrounded by people who could see $50,000 change hands in a fast food bag, or multiple of their colleagues accused of sexual assault, or a president making literal billions by marketing scamcoins, and claim with full conviction that these things are all just fine now.

So our elected leaders broke. Their brains broke. We elected people who wanted to be technocrats, who then themselves put the most long-serving technocrats into leadership roles, and it has proved impossible for most of their self-promoting, election-brained, consultant-reliant minds to pivot to non-technocratic responses. They simply don't have it in them.

You wouldn't summon a world-renowned pop star to fix your house's plumbing; those are two completely different skillsets. Honing one skill doesn't give you the slightest bit of insight into the other.

Similarly, you can't expect someone who has stewed for a lifetime in the language of technocracy to know how to put out the fires of despotism. We need a different breed of Democratic leaders, ones who speak the language of opposition. Ones who can condemn demagogues as demagogues, and call fascists fascists, and call weird rich nutcases "weird," full stop. Republicans are changing the game by asserting that Democrats are evil, anti-Christian creatures bent on doing America harm. Democrats could easily turn that weapon back on them: We have seen just how malicious, amoral, and wantonly destructive Republicans have proven to be. We can prove the Republican sins that Republicans have built up an entire mythology to cover up.

But if current Democratic leaders had such skills, we would have seen it by now. They don't. Joe Biden didn't; Barack Obama doesn't. Vice presidential candidate Tim Walz came the closest to speaking this new language of morality and public fairness when, during the campaign, he was able to voice the long-absent political opinion that the Republican opposition had devolved into nuttery—but he was quickly muzzled by the sclerotic technocrats of the party so that the campaign could settle back into more familiar technocratic ground.


So there are at least three different, tangled problems here. The first is that the national media has been consolidated to the point at which a relative handful of companies, all governed by the same quasi-aristocratic class, can and do manipulate national narratives to the point of near-hegemony. It was true back when alt-weeklies arrived on scene to challenge the too-corporate versions; it is much more true now.

The second is the systems-level problem; Republicanism is now, intentionally, a kleptocratic movement that opposes democracy itself—definitionally fascist, using the rigor of democratic systems as weapon to break those systems.

The third is that the opposition party is a group of largely self-interested political players who came to power playing one political game and find themselves hopelessly unable to adapt to a new era in which none of that glad-handing and favor-trading means a damn thing, because the opposition has no use for a system in which they are even allowed to exist.

If you ask me what's going to happen next, based on all of those things, I see no answer other than chaos. Chaos is the only way forward: Oligarchic brunchlords are pushing economic systems to the brink of collapse, seemingly believing that the unwashed masses will not seek vengeance when it happens. Our elections are rapidly devolving into chaos—now that rigging the maps for partisan gain has been explicitly endorsed by the Supreme Court, not only endorsed but with a how-to manual attached, the public will rapidly find the situation ridiculous. They will call these institutions corrupt, and be right, and the federal government will lose legitimacy in ways that can't easily be repaired.

And either the Republican Party, the Democratic Party, or both are going to hit extinction-level polling numbers as that happens. The Republicans, for destroying the economy in all the ways voters hate most; the Democrats, for being such feckless technocrats that voters—who are mostly uninformed and vibes-based—can't help but suspect that they were acting as Republican accomplices the whole time.

The longer the fever goes without breaking, the more chaotic the nation will become when it finally does. I still do not think Trumpism will be ultimately successful, because as we have learned the far-right allies of Trump (like the Heritage Foundation) are blazingly incompetent fuckups with fetishes for destroying all the parts of the system that the public likes most. Trumpism will not survive a Great Recession caused by rank ideological fuckuppery.

The bad news, of course, is that things are likely to devolve into at least Great Recession levels of fuckuppery before the public becomes sufficiently irate. Congress and the aristocracy will act only when they fear public anger more than they fear Trump's kleptocrats, and we will likely only reach that point after Republicans do such great damage to American finances that it provokes mass demonstrations on a scale the nation has never, ever seen before.

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cjheinz
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Pluralistic: A fascist paradigm (12 May 2026)

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Today's links



A king on a sumptuous, much elaborated throne; in one hand he holds a sceptre of office, in the other, the leashes for two fierce stone dogs that guard the throne. The king's head has been replaced with a character who was used as the basis for MAD Magazine's Alfred E Neumann. The new head sports a conical dunce cap. Behind the king is a UK Reform Party rosette. The background is an Egyptian temple, ganked from a Dore Old Testament engraving. The floor has been carpeted in sumptuous tabriz from the Ottoman court.

A fascist paradigm (permalink)

Yesterday, I attended a workshop on systems thinking and political change, which included a presentation on the work of Donella Meadows, whose Thinking in Systems is a canonical work on the subject:

https://en.wikipedia.org/wiki/Thinking_In_Systems:_A_Primer

"Systems thinking" is an analytical framework that treats the world as a mesh of interconnected, nonlinear components and relationships that can't be easily understood or steered. A complex system isn't merely "complicated." A mechanical watch is complicated, in that it has many parts that work together in ways that require training and specialized knowledge to understand. But it isn't "complex" because each part has a specific function that can be understood and adjusted.

In a complex system – say, an ecosystem – the parts are meshed in a web of unobvious relationships that make it difficult to predict what effect will follow from a given perturbation. When a blight kills off a plant species, the soil stability declines, resulting in landslides during the rainy season, changing the mineral content of nearby waterways, which creates microbial blooms or fish die-offs in a distant, downstream lake.

A slide showing a lever weighted down on one end by a circle labeled 'System' next to a fulcrum; the points along the lever are labeled with different potential interventions that can move the system, taken from the work of Donella Meadows.

But systems thinking isn't a counsel of despair that insists that you shouldn't do anything because you can never predict what will come of your actions. In Thinking in Systems, Meadows presents a hierarchy of leverage points for changing a system, ranked from least effective ("Constants, numbers, parameters") to most ("The power to shift paradigms to deal with new challenges"):

https://www.flickr.com/photos/doctorow/55264856861/

In all, Meadows theorizes 12 different "places to intervene in a system." The least effective of these – constants like taxes and standards, negative and positive feedback loops – are the sites of most of our political fights, and rightly so. They are the fine-tuning knobs of the system that adjust its margins. Once you have the rule of law ("the rules of the system"), you can drive change by amending, repealing or passing a law:

https://donellameadows.org/archives/leverage-points-places-to-intervene-in-a-system/

But when you're confronted with a system that is significantly, persistently dysfunctional, you will likely have to work at sites that are further up the hierarchy, such as "the distribution of power over the rules of the system" or "the goals of the system"; or the most profound of all, "the paradigm out of which the system — its goals, power structure, rules, its culture — arises."

Thinking about paradigms is a form of "meta-cognition," which is to say, "thinking about how you think." Your paradigm encompasses all your assumptions, including your assumptions about how to proceed from your other assumptions: "if x, then y" is a paradigm.

The workshop where we were discussing all of this is part of a group whose goal is reversing the antidemocratic movement in our society and the climate emergency that is its backdrop. But as I listened to the speaker and the ensuing discussion, it occurred to me that Meadows' theoretical work was a very good way of describing the successes of the fascist movement in the UK and around the world.

Fascists like Farage and Trump are, at their root, anti-democratic. Their pitch is that the people are incapable of self-determination (as Peter Thiel puts it, "democracy is incompatible with freedom"). They want us to think that all our neighbors are irrational and foolish, and that we, too, are irrational and foolish, and that our safety and prosperity can only be safeguarded if we seek out those few people who are born to rule and liberate them from the petty niceties and regulations that democracy and the rule of law demand.

In other words, the paradigm of democracy is that all of us are capable of both wise self-governance and self-rationalized misgovernance, and each of us has a useful perspective to contribute. The fascist paradigm is that we can't be trusted to rule ourselves, and only the people who are born with "good blood" are capable of directing our lives:

https://pluralistic.net/2025/05/20/big-cornflakes-energy/#caliper-pilled

This is the theory behind "race realism" and "human diversity" and all the other polite names the modern fascist uses to obscure the fact that they're reviving eugenics. It explains the panic over DEI, a panic driven by the belief that lesser people are being elevated to positions of rule and authority that they are genetically incapable of carrying out.

That's why, whenever a disaster arises, fascists demand to know the gender, race and sexual orientation of the pilot, the ship's captain, or the official in charge. If the person who crashed the cargo ship into the bridge has brown skin, we can add another line to the ledger of costs associated with the doomed project to put people who were born to be bossed around in the boss's seat (of course, if the pilot turns out to be a white guy, that proves nothing, except that mistakes sometimes happen).

The revival of fascism in this century has been scarily effective, and at times it can feel unstoppable. Meadows' work on systems thinking provides an explanation for that efficacy – and suggests a theory of change for dispatching fascism back to the graveyard of history. Fascists have made changes to things like laws and feedback loops, rules and distribution of power, but this all stems from a more profound alteration to the system, at the level of the paradigm.

Which suggests that the real fight we have is over that paradigm: we have to convince our neighbors that they are smart enough to rule themselves, and so are we, and so is everyone else. We have to convince them that even the smartest and wisest person (including us, including them) is capable of folly and needs to have checks on their (our) authority.

We need to attack the theory of the "unitary executive" and every other autocratic ideology head on. We have to insist that these aren't just unconstitutional, but that they are ideologically catastrophic. "No kings," because even an omnibenevolent king isn't omniscient, and that means that omnipotence is always omnidestructive in the long run.

The fascist revival has been scarily effective and resilient – and systems thinking offers an explanation for both that efficacy and that resiliency.


Hey look at this (permalink)



A shelf of leatherbound history books with a gilt-stamped series title, 'The World's Famous Events.'

Object permanence (permalink)

#25yrsago First aid for the dying dotcom http://modernhumorist.com/mh/0010/dotcom/

#20yrsago OpenStreetMap maps Isle of Wight, Manchester next https://wiki.openstreetmap.org/wiki/Mapchester_Mapping_Party_2006

#20yrsago Fueling model rockets with Oreo fillings https://web.archive.org/web/20060616192646/https://www.popsci.com/popsci/how20/600152d7d441b010vgnvcm1000004eecbccdrcrd.html

#20yrsago Legal guide for podcasters https://wiki.creativecommons.org/wiki/Welcome_To_The_Podcasting_Legal_Guide

#20yrsago Collection of 1100+ found grocery lists https://grocerylists.org/

#10yrsago Mayor of Jackson, MS: “I believe we can pray potholes away” https://www.wjtv.com/news/jackson-mayor-tony-yarber-we-can-pray-potholes-away/

#10yrsago What’s the best way to distribute numbers on the faces of a D120? https://web.archive.org/web/20160510182023/https://www.wired.com/2016/05/mathematical-challenge-of-designing-the-worlds-most-complex-120-sided-dice/

#10yrsago Billionaire Paypal co-founder Peter Thiel will be a California Trump delegate https://web.archive.org/web/20160510155226/https://www.wired.com/2016/05/investor-peter-thiel-will-california-delegate-trump/

#10yrsago McClatchy newspapers’ CEO pleased to announce that he’s shipping IT jobs overseas https://web.archive.org/web/20160510102956/https://www.computerworld.com/article/3067304/it-careers/newspaper-chain-sending-it-jobs-overseas.html

#10yrsago Peace in Our Time: how publishers, libraries and writers could work together https://locusmag.com/feature/cory-doctorow-peace-in-our-time/

#10yrsago Too Like the Lightning: intricate worldbuilding, brilliant speculation, gripping storytelling https://memex.craphound.com/2016/05/10/too-like-the-lightning-intricate-worldbuilding-brilliant-speculation-gripping-storytelling/

#5yrsago LA traveling toward free public transit https://pluralistic.net/2021/05/10/comrade-ustr/#get-on-the-bus

#5yrsago Biden's shift on vaccine patents is a Big Deal https://pluralistic.net/2021/05/10/comrade-ustr/#vaccine-diplomacy


Upcoming appearances (permalink)

A photo of me onstage, giving a speech, pounding the podium.



A screenshot of me at my desk, doing a livecast.

Recent appearances (permalink)



A grid of my books with Will Stahle covers..

Latest books (permalink)



A cardboard book box with the Macmillan logo.

Upcoming books (permalink)

  • "The Reverse-Centaur's Guide to AI," a short book about being a better AI critic, Farrar, Straus and Giroux, June 2026 (https://us.macmillan.com/books/9780374621568/thereversecentaursguidetolifeafterai/)

  • "Enshittification, Why Everything Suddenly Got Worse and What to Do About It" (the graphic novel), Firstsecond, 2026

  • "The Post-American Internet," a geopolitical sequel of sorts to Enshittification, Farrar, Straus and Giroux, 2027

  • "Unauthorized Bread": a middle-grades graphic novel adapted from my novella about refugees, toasters and DRM, FirstSecond, April 20, 2027

  • "The Memex Method," Farrar, Straus, Giroux, 2027



Colophon (permalink)

Today's top sources:

Currently writing: "The Post-American Internet," a sequel to "Enshittification," about the better world the rest of us get to have now that Trump has torched America. Third draft completed. Submitted to editor.

  • "The Reverse Centaur's Guide to AI," a short book for Farrar, Straus and Giroux about being an effective AI critic. LEGAL REVIEW AND COPYEDIT COMPLETE.

  • "The Post-American Internet," a short book about internet policy in the age of Trumpism. PLANNING.

  • A Little Brother short story about DIY insulin PLANNING


This work – excluding any serialized fiction – is licensed under a Creative Commons Attribution 4.0 license. That means you can use it any way you like, including commercially, provided that you attribute it to me, Cory Doctorow, and include a link to pluralistic.net.

https://creativecommons.org/licenses/by/4.0/

Quotations and images are not included in this license; they are included either under a limitation or exception to copyright, or on the basis of a separate license. Please exercise caution.


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cjheinz
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Lexington, KY; Naples, FL
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Your AI Use Is Breaking My Brain

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A few years ago, while I was covering the rise of AI slop on Facebook, I asked my friends and family if they were getting AI spam fed into their timelines and if they could send me examples. A handful of them responded, sending me obviously AI-generated science fiction scenescapes, shrimp Jesus, and forlorn, starving children begging for sympathy. But a few of my friends sent me images that they thought were AI but were not. Their mental guard was up to the point where they were looking at human-made art and photos and thought it safer to dismiss them as AI rather than be fooled by it.

To browse the internet today, to consume any sort of content at all, is to be bombarded with AI of all sorts. People think things that are fake are real, things that are real are fake. Much has been written about “AI psychosis,” the nonspecific, nonscientific diagnosis given to people who have lost themselves to AI. Less has been said about the cognitive load of what other people’s AI use is doing to the rest of us, and the insidious nature of having to navigate an internet and a world where lazy AI has infiltrated everything. Our brains are now performing untold numbers of calculations per day: Is this AI? Do I care if it’s AI? Why does this sound or look or read so weird? Does this person just write like this? Is this a person at all? 

I see AI content where I’m conditioned to expect and ignore it: In Google’s “AI Overviews” that famously told us to eat glue pizza, in engagement-bait LinkedIn posts, and throughout our Facebook and Instagram feeds. But increasingly I have the feeling that it’s everywhere, coming from all directions, completely unavoidable. It’s not exactly that I have a revulsion to AI-assisted content or don’t want to get fooled by it. It’s that something is happening where my brain has become the AI police because everything feels incredibly uncanny. I will be going about my day reading, watching, or listening to something and, suddenly, I notice that something is wildly off. Quite simply, I feel like I’m going nuts. 

An example: Last week, in a desperate attempt to avoid yet another take on the White House Correspondents Dinner shooting, I was listening to an episode of Everyone’s Talkin’ Money, a podcast I’ve been listening to off-and-on for years about taxes (yikes). This podcast has been going on for years, has a human host named Shari Rash, and hundreds of episodes. Rash started reading the intro script: “The shift I want you to make today—and this is the shift that changes everything—is starting to see your tax return as information—not a bill, not a badge of shame, but information.” The script went on and on and on like this, with AI writing trope after AI writing trope. My brain shut down and stopped paying attention to the script and started wondering if Rash was using AI just for the intro script? What about for the research? Did she edit the script at all? I turned the podcast off. 

Later that day, I was scrolling the Orioles Hangout forums, a small community of diehards obsessed with the Baltimore Orioles that I have been lurking on for decades. Until recently, it had been one of the few places on the internet that I could safely assume was not full of AI. Except now, it is. The site’s administrator has started using AI to analyze player performance and to help him write some of his posts. To his credit, he explains how he’s using AI and prefaces these posts by noting they are AI-assisted analysis. Some of them are interesting. But now, most days I’m browsing the forums, I will see arguments between posters who have been there for years that seem overly generic or don’t really make sense. One recent post arguing about the timetable for an injured player’s return suggested a ludicrously long recovery. One poster pointed this out: “You said 10-18 months and I said it won’t take that long for a position player.” The poster responded: “You’re right I did. The 10-18 months was an AI generated answer … consider it a small cautionary tale about trusting AI and another on the benefits of seeking out actual medical research on questions like this.” Every day I now scroll the forum and see people noting that they plugged something into ChatGPT or Gemini and have copy pasted the answers for other people to see. In this 30-year-old community of human beings discussing sports, AI is unavoidable. 

It is, of course, not just me. Friends send me screenshots of texts they’ve gotten from people they’ve started dating, wondering if they’re using ChatGPT to flirt. I’ve gotten obviously AI-generated apologies or excuses from people trying to bail on a social engagement. I’ve been to weddings where the speeches felt—and were—partially AI-generated. 

A recent PEW poll showed that people believe it is important to be able to tell whether an image, video, or piece of writing was AI-generated, AI-assisted, or written by a human. And it showed that a majority of people do not believe that they are able to tell the difference between AI-generated works and human made works. Studies have repeatedly shown that humans judge AI-generated art and writing more harshly than human works, and a study published in the Journal of Experimental Psychology found that when people know or perceive a piece of writing to be AI-generated, it is “stubbornly difficult to mitigate” and “remarkably persistent, holding across the time period of our study; across different evaluation metrics, contexts, and different types of written content.” Put simply, it is not just me who hates AI writing or finds it annoying. Even if AI writing can be “fine,” it very often feels bland, weird, formulaic. The writer Eve Fairbanks wrote a thread the other day that I thought more or less nailed it: “The tell for AI isn’t rhythm, wording, or fact errors. It’s that problems with *all these elements* exist equally & at once.” 

“With AI writing, everything is off: the tone grates, individual word choices baffle, the structure lacks sense, key pieces of argument are missing…the key is that they all exist simultaneously to the same degree,” she added. “Superficially, AI text can read smoothly—'cleaner' than a human’s draft … but it’s almost impossible to make sensible. And it’s driving me crazy.” 

Last week, New York City Mayor Zohran Mamdani tweeted about swastikas being painted on synagogues in Queens: “This is not just vandalism—it is a deliberate act of antisemitic hatred meant to instill fear,” he wrote. Max Spero, the CEO of Pangram Labs, an AI detection firm, highlighted this passage and tweeted “Mamdani nooo ,” the implication being that this passage was written by AI, or at least seemed like it was. Spero’s tweet had more than 4 million views at the time I talked to him. (Disclosure: Pangram Labs previously advertised on 404 Media).

Spero’s company uses AI to detect AI writing, meaning it is not perfect. But as far as these tools go, Pangram is considered quite good, and has been widely used in research about AI content on the internet. Spero told me when I called him that immersing himself in the internet has his brain in AI-detection mode pretty much all the time. “I’m totally on guard, and I have been for a while,” he said. Spero said he first began to notice it on restaurant reviews on Yelp and Google Reviews a few years ago. “I started seeing them everywhere. There’s people who are Yelp Elite and all they do is post one or two AI-generated reviews a day. Fast forward to today, and I think we’ve seen the mainstream growth of AI everywhere, but I think some people can tell, and some people have no intuition for it.” 

I have always aspired to write like I talk. I don’t really concern myself so much with the craft of writing or turning a beautiful sentence, I usually try to just convey information in a straightforward, personable way. I want my articles to feel like slightly more polished, more researched versions of my text messages, like the things I would say on a podcast or at the bar to a friend. Often my writing process involves me thinking about sentences or ideas I want to convey while I’m walking my dog or in the shower or surfing, and I hope that when I actually sit down to write, the words flow from my brain through the keyboard in a way that pretty much makes sense. 

When I sat down to write this article, in which, to be clear, I did not use AI, I found myself writing the following sentence: “It’s not just in places we’re conditioned to see AI—Google AI overviews, LinkedIn influencer posts, and Facebook feeds—I’ve started seeing AI…” I stopped typing, freaked out, and deleted the sentence. Have I always written this way? I honestly don’t know. 

This negative parallelism—“it’s not just x, it’s y” is maybe the most infamous AI writing-ism there is. It is something that is regularly called out as being obviously AI, and is the formation in the sentence Mamdani wrote that Spero called out. But I didn’t use AI. Did I use that construction because I’ve been immersed on an internet full of generic AI writing on every platform all day everyday for years? Or did I just happen to think that was the best way to phrase it at the time? 

The idea that humans may be subconsciously mimicking or learning from the AI writing that they’re reading is not some isolated thought I had. It’s kind of the business model of any number of AI-for-education startups, and it’s an idea that has been raised in lots of articles about AI in schools. Last month, the New York Times quoted a teacher who said “They are using generative A.I. to write before they learn how to write.” Teachers I spoke to last year lamented that they are spending their very real human hours and considerable brain power trying to determine whether they are grading essays that are written by humans or robots, and know that they are often giving writing notes on papers that were likely written by AI

The thing is, human writers do sometimes write like AI, and this will probably become more common. “If you showed me the Mamdani tweet in a vacuum I’d be like, almost certainly it’s AI,” Spero said. “But with Mamdani I’m less sure because his history is almost everything else seems to be human written. With my own writing, I don’t want to sound like AI even a little bit. I have some concerns about, like, the students who have grown up with ChatGPT and their entire school career has been ChatGPT assisted so now they actually do write like this.” 

Fairbanks had the same thought, and she told me that the person she originally wrote her thread about claims that he actually didn’t use AI to write it. 

“It’s possible it was written by him!,” she told me in an email. “In which case it appears his writing was shaped by the AI voice. I feel self-conscious now that I’m picking up habits not directly from AI but from people who may have used AI, or that AI is somehow exposing, like a fluorescent light on our naked body in the doctor's office, the defects in my writing style insofar as they turn out to overlap with what everybody now believes is a totally shit style. I always used em dashes!”

“Somebody on my thread made the observation that somehow it’s more likely that we’ll all start to sound more like AI than that AI will sound more human to us,” she added. “That felt right to me, although I couldn’t technically say why. But I was listening to a New York Times podcast and noticed the presenter used the ‘it’s not x, it’s y’ formula. I really assume she didn’t generate the sentence with AI because she was speaking out loud, in conversation. But it now stood out as formula to me.”

I emailed Rash, the host of the podcast who originally made me think “this is an AI script,” and asked her if it was an AI script. She said “I use AI to help brainstorm, organize ideas, outline, and refine language. The line you referenced reflects a point I often make with clients and listeners … I review and edit all of my content and I am responsible for everything that goes out under my name.”

Earlier this year I read an article by the writer Marcus Olang called “I’m Kenyan. I don’t write like ChatGPT. ChatGPT writes like me.” Olang’s article highlighted a phenomenon he and other Kenyans have experienced, where they are constantly accused of using AI to write, and have lost out on opportunities because of it. Olang notes that the Kenyan education system tended to teach a formal, structured, rules-focused type of English that was largely a product of colonialism. 

“The bedrock of my writing style was not programmed in Silicon Valley. It was forged in the high-pressure crucible of the Kenya Certificate of Primary Education…The English we were taught was not the fluid, evolving language of modern-day London or California, filled with slang and convenient abbreviations. It was the Queen's English, the language of the colonial administrator, the missionary, the headmaster,” he wrote. “It was the language of the Bible, of Shakespeare, of the law. It was a tool of power, and we were taught to wield it with precision. Mastering its formal cadences, its slightly archaic vocabulary, its rigid grammatical structures, was not just about passing an exam. It was a signal. It was proof that you were educated, that you were civilised, that you were ready to take your place in the order of things.”

As we’ve noted before, many AI tools have been trained, tested, and moderated on thousands of hours of labor from low-paid workers around the world, including many Kenyans. So not only did Olang learn a type of English writing that tends to be generated by AI tools, a lot of the moderation and testing of those tools was judged by people who went through that same education system. “If humanity is now defined by the presence of casual errors, American-centric colloquialisms, and a certain informal, conversational rhythm, then where does that leave the rest of us?,” Olang wrote. 

Olang makes important points in his article, but one of the great things about writing and the internet in general is that there are all sorts of different dialects and styles and things that can work online. And so maybe what I have been noticing is a sameness, a homogenizing of large parts of the internet, including places I often felt were very human. This is objectively happening, researchers believe. A study published last month by researchers at Imperial College London, Stanford, and the Internet Archive called “The Impact of AI-Generated Text on the Internet,” found that roughly 35 percent of new websites are AI-generated. It confirmed the researchers’ hypotheses that “As AI content becomes more common on the internet, online writing feels increasingly sanitized and artificially cheerful,” and “as AI text becomes more common on the internet, the range of unique ideas and diverse viewpoints shrinks.”

Besides people copy pasting things from ChatGPT or other AI tools, AI writing “assistance” has been shoved directly into word processors like Google Docs, email clients like Gmail, and social media networks like LinkedIn. The process of “writing” is being automated and filtered through these tools. It is everywhere.

Last month, a Harvard MBA grad named Ben Horwitz launched Sinceerly, an “AI to undo your AI writing.” The Chrome extension has three modes: “Subtle,” “Human,” and “CEO,” which takes AI-generated text and gets rid of em dashes, adds typos, slang, acronyms, puts words all in lowercase, etc. Horwitz wrote on the website that he built Sinceerly because “I got sick of everyone in my inbox sounding like AI.” I used Sinceerly to email Horwitz and ask for an interview. When I called him and told him this, he said he didn’t notice, so, mission accomplished. 

“To be clear, this is mainly a satirical project meant to hold a mirror up to people who use AI as an alternative to thinking, but it is legit in that I built this tool and it does work,” Horwitz said. “But I do feel like everything is starting to sound the same and I’m experiencing the same thing as you—the homogeneity I find incredibly frustrating and boring, and it makes me less apt to use social media because everything sounds the same.”

He said that since he’s launched Sinceerely, he’s gotten emails from actual users who have used it to de-AIify their writing and who are frustrated that they are sometimes not getting responses. “Many people have DMed me and been like ‘Hey, can you help me make this email sound more human?,” he said. “Think about how much work all of this actually is. In theory you’re written something as a prompt into the AI and so you have actually written something. And then you’re copy pasting it into an email and using this tool on it. I hope it gets people to think about what they’re actually doing.” 

The irony is that in making his satirical project, Horwitz has actually replicated, albeit in a funnier way, an already existing type of AI tool called “humanizers,” which are designed to defeat AI detection software like Spero’s Pangram. Spero said he “thought Sincerely was a very funny project. It’s like a first impression, someone sees a typo and they give a sigh of relief that a real human is behind that, but we’ve actually been seeing this more and more. AI-generated marketing emails over the last year with intentional typos.”

Humanizers add typos, randomly replaces words, removes “AI tells,” and sometimes inserts random characters. Spero said Pangram has been collecting as much data as they can to try to detect “humanized” AI, but that “it’s pretty adversarial” and that there is likely to be an ongoing cat-and-mouse game between humanizer AI and AI detecting AI. 

“It’s kind of looking grim for the future of the internet,” he said.  

In my many, many hours of browsing AI slop on Facebook, I spent an absurd amount of time scrolling through the comments on AI-generated images. One exchange has stuck in my mind years later. It was an AI-generated image of a wood deck outside a house. In the comments, obviously real people were arguing back and forth as to whether the nonexistent deck would pass code inspection. I remember thinking something uncharitable and cancelable at the time, something that I think I wrote in a draft of one of my articles but that got edited out because it was mean. I remember thinking, basically, that Facebook had become a virtual nursing home for delusional and quite possibly stupid old people, a place where people argue back and forth about things that don’t exist, forever, until they die. 

I ended up calling this the “Zombie Internet,” which is something I considered to be worse than the “Dead Internet,” the popular but too simplistic idea that large portions of the internet are bots interacting with each other. I called it the Zombie Internet because the truth is that large parts of the internet are not just bots talking to bots or bots talking to people. It’s people talking to bots, people talking to people, people creating “AI agents” and then instructing them to interact with people. It’s people using AI talking to people who are not using AI, and it’s people using AI talking to other people who are using AI. It’s influencer hustlebros who are teaching each other how to make AI influencers and have spun up automated YouTube channels and blogs and social media accounts that are spamming the internet for the sole purpose of making money. It is whatever the fuck “Moltbook” is and whatever the fuck X and LinkedIn have become. It’s AI summaries of real books being sold as the book itself and inspirational Reddit posts and comment threads in which people give heartfelt advice to some account that’s actually being run by a marketing firm. It’s fake Yelp reviews for real restaurants and real Yelp reviews for fake restaurants using AI-generated food images being run out of ghost kitchens. It’s armies of AI-assisted clippers who used to steal people’s content to make money on social media but now get paid to do so. It’s the boring history YouTube videos I use to fall asleep that used to be quirky and weird but are now AI channels. It’s my email inbox, in which I used to occasionally get poorly-formatted, poorly written, extremely long emails from delusional people who were positive the CIA had imprisoned them in a virtual torture chamber using undisclosed secret technology but where I now get well-formatted, passably written, extremely long emails from delusional people who are positive they have proven AI sentience and have the AI transcripts to prove it. It's the New York Times having to issue corrections multiple times in the last few weeks because its writers have included AI-generated hallucinations in the newspaper. It’s the pitches I get that start “Hi Jason, I’m Hatoshi. I’m an AI agent. I run Clanker Records — An AI-operated label with AI artists,” and the pitches I get that are probably written by AI agents or someone who has automated the process but hasn’t bothered to tell me. 

What’s driving me crazy, then, is not the idea that AI exists or that people are using AI. It’s that I have a finite time on this earth that I mostly want to spend interacting with other human beings. I don’t want to be the person arguing with a robot, or wasting my time reading something that a real person couldn’t be bothered to write.  



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cjheinz
1 day ago
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The Zombie Internet, indeed! This is very much TL;DR. Still I actually read most of it.
Lexington, KY; Naples, FL
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How the World Became a Casino

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How did we get to a point where it’s legal for anyone to bet on anything? Be it the results of a baseball game or a land war in Europe, if you have access to a credit card and a computer you can try to predict the outcome of anything that’s happening in the world and win a little bit of money if you’re right. If we know that gambling can lead to high rates gambling addiction and financial ruin, why does it seem like our culture has suddenly embraced it?

For years, anyone who has reported on our increasing addiction to technology has found their way to Natasha Natasha Dow Schüll’s book Addiction by Design: Machine Gambling in Las Vegas. The book is an ethnography of slot machines. It is based on many interviews with the people who make them and play them, a deep investigation of how they work, and how they fit into the larger context of casinos, Las Vegas, and gambling more broadly. 

Since it was published more than a decade ago, the logic of slot machines has extended far beyond Las Vegas. Every notification on our phone, trading platforms like Robinhood, the crypto craze, and now prediction markets, can be understood through the lens of slot machine design and Schüll work. That’s why I was incredibly happy she agreed to come on the podcast this week to discuss our current gambling-obsessed culture. 

404 Media is a journalist-founded company and needs your support. To subscribe, go to 404media.co. As well as bonus content every single week, subscribers get access to additional episodes where we respond to their best comments. Subscribers also get early access to our interview series. Gain access to that content at 404media.co.

Listen to the weekly podcast on Apple Podcasts, Spotify, or YouTube

Become a paid subscriber for early access to these interview episodes and to power our journalism. If you become a paid subscriber, check your inbox for an email from our podcast host Transistor for a link to the subscribers-only version! You can also add that subscribers feed to your podcast app of choice and never miss an episode that way. The email should also contain the subscribers-only unlisted YouTube link for the extended video version too. It will also be in the show notes in your podcast player.



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cjheinz
1 day ago
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Wow! True dis! I am SO HAPPY that the only addiction that I never developed is gambling.
Lexington, KY; Naples, FL
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Ixnay on the Post-Apocalyptic Cannibals: Rebecca Solnit’s A Paradise Built in Hell

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Books Seeds of Story

Ixnay on the Post-Apocalyptic Cannibals: Rebecca Solnit’s A Paradise Built in Hell

Recognizing that disasters and tragedies tend to bring out the best in people is the first step toward real progress.

By

Published on May 5, 2026

cover of A Paradise Built in Hell by Rebecca Solnit

Welcome to Seeds of Story, where I explore the non-fiction that inspires—or should inspire—speculative fiction. Every couple weeks, we’ll dive into a book, article, or other source of ideas that are sparking current stories, or that have untapped potential to do so. Each article will include an overview of the source(s), a review of its readability and plausibility, and highlights of the best two or three “seeds” found there.

This week, I cover Rebecca Solnit’s A Paradise Built in Hell: The Extraordinary Communities That Arise in Disaster, a book that every author should be required to read before writing about apocalypses, disasters, and crises of all types. Possibly also every journalist. Or maybe just everyone.

What It’s About

We all know this script: the seas have risen, the meteors have struck, and society has collapsed. A small band of survivors, probably led by one hard-headed cold-equations man following “lifeboat rules,” fights off looters and leeches and cannibals. Most of the world has descended into panic and riot. It’s a war of all against all, and life has become nasty, brutish, and short.

This is not, it turns out, how disaster works in real life. Solnit brings together anthropological research and her own reporting to show that actually, most people become more prosocial following disasters. They pull together. They help each other. They share resources. And they create temporary communities that find joy and solidarity in the face of destruction.

There are exceptions, and those exceptions mostly come from those who dominated the social structures disrupted by crisis. Too often, authorities fear the “threat” from ad hoc disaster response communities, and are more eager to control survivors than to help them survive. And media looking for dramatic stories are eager to perpetuate the narrative of trauma-driven savagery. These pressures, along with the exhaustion from chronic stress that can supplant initial momentum, too often break down these “paradises” of mutual aid and social connection. When they don’t, Solnit suggests, remarkable things can result.

Her first example comes from the 1906 San Francisco earthquake, where community members came together to feed, heal, and shelter each other in a situation where half the population had become unhoused. Many reported later on the sense of solidarity and fellowship, and the freedom found when human connection mattered so much more than possessions. Meanwhile the National Guard came in with orders to kill “looters,” which they followed with enthusiasm. Convinced that they were forestalling mob riots (of which there was no sign), they “protected the city from the people” and murdered those trying to requisition medical supplies, gather groceries with full permission from grocers, or dig survivors out from the rubble. They actively interfered with firefighting attempts, causing even more destruction than the original quake.

These descriptions echo those from Hurricane Katrina, which Solnit added to the book at the last minute. I remember a particularly pointed comparison of press coverage describing people of different races “looting” versus “gathering” supplies from flooded stores. Likewise, the occupying military—and heroic everyday responses—are extremely familiar to anyone following the present-day news from Minneapolis.

Solnit shows similar patterns after the Halifax Explosion of 1917, the Mexico City Earthquake of 1985, and 9/11. But there are differences as well. The worst of the disasters, the Mexican earthquake killed over 10,000 people and left 800,000 homeless. It highlighted the effects of government corruption and shoddy construction, and provoked lasting changes—sparked by those who came together during the disaster. Labor unions and housing rights collectives organized to improve conditions that had put so many at risk. The government tried to use the destruction as a pretext for relocating poor communities; communities pushed back. The solidarity formed in disaster lasted, and while Mexico continued (and continues) to have extensive problems, people held onto what they learned and used it to make real progress.

Disasters bring together people on the ground—those in the best position to help each other and share resources. They also threaten elite leaders, who often fear more for their extensive property than for human lives. Disasters also draw attention to leadership failures. Credit for successes is also an option (recall the Roman response to Pompei from Four Lost Cities), but only if leaders focus more on providing real help than on panicked defense of their own power. As disasters become more common, the rest of us need to pay attention to our own communal power, and build past the initial moments of mutual aid.

Buy the Book

cover of A Paradise Built in Hell by Rebecca Solnit
cover of A Paradise Built in Hell by Rebecca Solnit

A Paradise Built in Hell: The Extraordinary Communities That Arise in Disaster

Rebecca Solnit

It’s 2001, and I’m driving into grad school on the morning of September 11th. By the time I get there the second plane has hit the World Trade Center, and this is clearly no accident. We’re on Long Island and everyone knows somebody near Ground Zero. I comfort my professors, and join the other students pulling together to figure out what we can do. Everyone is being kind and finding ways to help—as long as you don’t look Muslim.

It’s 2022 and I’m finally watching the Parable of the Sower opera at the Kennedy Center. It’s based on one of my favorite books by one of my favorite authors, but I’m struck by how very obviously it predates Solnit’s book. Even Octavia Butler—visionary, clear-eyed, and imagining paths through fascism and climate change—wrote a crisis that looks like a white-flight fantasy about the horrors of walking through Central Park. Why should cooperation take a messiah?

It’s 2026, and I’m thinking about the self-contradictory nature of crisis response. The initial solidarity and selflessness after 9/11 ultimately faded into bigotry and surveillance and war. The initial solidarity and selflessness of the COVID-19 pandemic ultimately faded into bigotry and fascism and war. But Solnit’s right about long-term effects. We’ve held onto some of the mutual aid institutions founded in 2020, and are moving away from the valorization of overwork despite employers’ best efforts. Authorities will always try to leverage fear and stress—how can we preserve and expand our first, most social responses to those things? How can we resist being redirected toward exclusion? The exhaustion of chronic crisis too often undermines our better natures.

And yet, and yet. Even with those worries and limitations, Solnit tells us something that we often see in person, and rarely see elsewhere. Stories and media tell us, too often, that crisis brings out our worst natures. That you’d better bar your door against looters and violent gangs. And these fears make us easier to control. If you don’t go outside, you never see what people are building. If you do go outside, you need to know that what you’re seeing isn’t a wild exception to the barbaric rule.

I have a long list of stories that do it wrong. Disaster movies and thrillers would prefer the drama of fighting off cannibal gangs (Where do they all come from???) than the drama of figuring out how to feed your block on a portable grill—or of fighting off police to get at needed medical supplies. People in shelters holding off invaders, fighting each other, held together only by alpha “captains.” Charismatic madmen getting from Point A to human sacrifice in a matter of days. It’s just not how most people actually work, and it’s time we realized that and move on to the business of figuring out how to do better after the first few weeks have passed.

Why is it so easy to believe that our neighbors (or the people on the other side of town) are held back from mob violence only by a fragile veneer of normality? The story shows up again and again, most often told by those who benefit from telling it. Anxious authorities want to be the only organizing force, and to protect property more than people. Media news falls into the trap of seeking excitement and engagement over truth, and has done so since long before social media algorithms exacerbated that tendency. And even in the age of climate change, we encounter more disasters on screen and page than in real life—if we’re not careful, we believe their tropes over our own lying eyes. A Paradise Built in Hell is a much-needed counternarrative, and once you’ve read it you’ll never see disasters, or humanity, quite the same way again.

The Best Seeds for Speculative Stories

The Real Villains. Admitting that a good disaster tale needs human conflict, it’s time to replace post-apocalyptic biker cannibals with post-apocalyptic police militias. (They can still be cannibals, I guess, if you really want.) In San Francisco in 1906, the National Guard exacerbated fires with explosives and killed people working in the rubble. Almost a century later, police shot Black men in flooded New Orleans, ostensibly to prevent “looting.” After the 1985 earthquake, the Mexican government tried to bulldoze collapsed buildings from which people were still pulling children; students lay down in front of the construction equipment to block them with visible bodies. Time and again, power fears solidarity, and protects itself lest “order” collapse. We need more cinematic versions of these very real threats—stories that show everyday people simultaneously dealing with disaster recovery and occupation from above.

Learning from Paradise. Stories about hopeful futures sometimes stumble over “how we got there.” Solnit shows how valuable it can be to leverage the solidarity of immediate disaster—and how much work is required to keep that momentum going. It’s doable, but it’s not easy. How does a sheet metal soup kitchen turn into feeding each other long-term? Once we’ve combined resources to pull people from flood waters, what more can we do? How do we can hold onto our crisis-born sense of connection? I’d love to see more solarpunk and hopepunk and cli-fi about building movements from the rubble.

New Growth: What Else to Read

Rutger Bregman’s Human Kind: A Hopeful History also talks about situations that have brought out the best in people, and argues with cynical narratives about human nature. If you want to look at the how-to of building long-term from disaster solidarity, Kelly Hayes and Mariame Kaba’s Let This Radicalize You: Organizing and the Revolution of Reciprocal Care talks about the mutual aid work that’s growing from COVID responses.

We Will Rise Again, an anthology edited by Karen Lord, Annalee Newitz, and Malka Older, is full of stories about speculative protest and solidarity movements. I’ve mentioned it here before, but Izzy Wasserstein’s “The Rise and Fall of Storm Bluff, Kansas” feels particularly relevant, not so much because of disaster as because of a clear-eyed sense of elite panic.

I really like the communal responses to a catastrophic meteor impact that start off Mary Robinette Kowall’s The Calculating Stars. In a very different sort of story, I also love the communal versus authoritarian communities in Mad Max: Fury Road, which has all the scary-awesome biker gangs anyone’s heart could desire. Micaiah Johnson’s The Space Between Worlds and follow-up Those Beyond the Wall riff on Mad Max tropes, and imagine very different communities that can grow in the wake of disaster.

One of my favorite musicals is Come From Away, based on an oral history of how Gander, Newfoundland took in stranded plane travelers in the wake of 9/11. Jim DeFede’s The Day the World Came to Town: 9/11 in Gander, Newfoundland offers the full non-fiction version of the same story.

Please feel free to share your thoughts on the book, your own recommendations for further reading, or your favorite non-cannibalistic disaster responses in the comments![end-mark]

The post Ixnay on the Post-Apocalyptic Cannibals: Rebecca Solnit’s <i>A Paradise Built in Hell</i> appeared first on Reactor.

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cjheinz
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"Recognizing that disasters and tragedies tend to bring out the best in people is the first step toward real progress."
Lexington, KY; Naples, FL
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